Shoppers and cinephiles are flocking to see Kristen Stewart’s new film, The Wrong Girls, where queer friendship, neon chaos and stoner comedy collide , and it matters because this one leans into chosen family and female-led hijinks in a way mainstream buddy comedies rarely do.

Essential Takeaways

  • Star power: Kristen Stewart and Alia Shawkat headline a female-centred stoner caper that foregrounds friendship over romance.
  • Director’s debut: Dylan Meyer, Stewart’s wife, makes her feature directorial debut, intentionally centring women in a traditionally male genre.
  • Tone: The film mixes neon-hued hallucinogens, telepathy and road-trip energy , expect goofy, loose, and occasionally surreal moments.
  • Emotional core: Chosen family and day-to-day devotion are the real hooks , it’s affectionate, loud and oddly tender.
  • Audience vibe: Fans say it’s celebratory of queer community though critics are mixed on execution; your mileage may vary depending on whether you love anarchic comedies.

Kristen Stewart’s persona still sparks queer awakenings

Stewart’s off-screen identity has been part of her cultural appeal since she publicly spoke about her queerness during a high-profile SNL appearance, a moment that helped cement her as an icon to many. Her effortless, cool energy translates onscreen and it’s part of why audiences respond strongly when she leans into queer-forward roles. That aura , colourful, wry and a little unbothered , makes The Wrong Girls feel personal as much as performative.

A stoner-comedy with women at the wheel

This isn’t your usual buddy-stoner flick: Dylan Meyer set out to correct the gender imbalance by placing two women at the chaotic centre. The plot lands them with a neon-pink experimental drug and sudden telepathic powers, which propels the kind of messy, silly adventures that usually go to men. That choice refreshes the genre and lets the film explore intimacy between women without turning it into a romance.

Chosen family, not romantic tropes , why that counts

The emotional heart of The Wrong Girls is the kind of devoted, everyday love you get from best friends who are life partners in everything but label. Stewart and Shawkat talk about portraying relationships that are celebrated without being sexualised, and that representation matters. For many queer viewers, seeing friendship framed as a durable, loving institution can be quietly revolutionary , it validates real-life chosen families.

Critics liked the idea, responses to the execution have been mixed

Industry coverage and reviews point out the film’s ambition: it aims for anarchic, heartfelt comedy and female-centred storytelling. Some reviewers praise the chemistry and the fresh perspective, while others find the shtick uneven and the buzzkill moments more noticeable than the highs. If you like rambunctious, oddball cinema and don’t mind a few rough edges, this is one to try at the theatre.

How to watch , and who will love it

If you want neon-coloured chaos with a tender core, see it in cinemas while it’s fresh; the communal laughter and reactions are part of the fun. For viewers who prefer tight plotting or polished comedies, wait for a streaming release. And if you care about representation, this is a reminder that queer people are making the kinds of wild, messy films they themselves want to see.

It's a small but loud shift: friendship as romance-adjacent, female chaos as genre fodder, and queer creatives calling their own shots.

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